
Next Cohort: Jan 4, 2027 | Spots Limited
5 Essentials for the modern producer/songwriter. Realtime feedback from chart topping mentors.
Transform your initial spark of inspiration into polished, release-ready songs in our Producer Program. Master music production with LA's multi-platinum hitmakers in pop, urban and electronic music.


Our instructor roster ranges from Multi-Platinum Songwriters and Producers to rising LA Hitmakers and Artists. See more here.

"Everything went really well in Ibiza this time and I had so much fun! I am so glad you taught me, you're the best xoxo" Paris Hilton (Garnish DJ Program)
“My songs that were already finished were improved significantly, when I didn't think there was much room to improve. My writing ability and originality also increased. Casey is patient, but also honest, and it's exactly what I needed to get my music to another level. She was always open to hear original songs and give feedback, and was very good with answering questions even if they were asked more than once. If I could take the course myself again I totally would.”
Evan Frazer
$5,550 Tuition + $300 Registration
Advanced Modules Discounted to $1,550
Next Cohort: Oct 5, 2026
Spots limited — registration closes Sept 21
Early Bird $300 discount until Sept 7
ApplyLet's discuss Private Instruction if above options don't work
Mastering Tips for Beginners By Katie Gilchrest Every stage of the recording process matters, but a crucial point for adding continuity, balance and refinement is in the mastering. Mastering wraps up a production, providing flow between tracks, congruous volume levels, and consistent playback on all
Read →Getting your hi-hat game tight: fast rolls and stutters that stay musical, done quickly enough to keep the fun in it.
Read →Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →A Logic user's take on learning Ableton Live - why it gets results faster, and how the two work together when rewired.
Read →How Garnish's Logic Pro classes are structured week by week - from what a DAW is, through synthesis and recording, to finishing a record.
Read →